Renewed website of Omnia – Amsterdam Publisher


Omnia – Amsterdam Publisher has a fully renewed website, that is fully adaptable to different screen sizes. On every screen size the full content is easily accessible and readable.

This is a print-screen of the renewed website on a desktop screen:

Renewed website

This is a screen print of the renewed website on a mobile phone:

Renewed website mobile

The former website was fully scalable between mobile, tablet and desktop screen, but the content was not adaptable to the different screen sizes.

Omnia publisher

In my opinion this renewed website of Omnia – Amsterdam Publisher is ready for wishes and demands in the near future.

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Review: Taoteching by Lao Tzu (translation by Red Pine)


Lao-tzu's TaotechingLao-tzu’s Taoteching by Lao Tzu

My rating: 5 of 5 stars

This translation by Red Pine – Bill Porter – of the Tao Te Ching in 2009 is among the best available.
It is a revised version of the edition published in 1996.

Both versions start with:

The way that becomes a way
Is not the immortal Way

A footnote states that Tao originally meant “Moon”. This may well be the Moon as pointer to the All-encompassing One, wherein this Moon and pointer are fully encompassed as waves in the ocean.

Also highly recommended are the translations by:
– Ellen M. Chen – with different interpretations for several verses
– Jonathan Star – also including an interpretation per Chinese character

View all my reviews

Review: One Robe, One Bowl – The Zen Poetry of Ryokan, translated and introduced by John Stevens


One Robe, One Bowl: The Zen Poetry of RyokanOne Robe, One Bowl: The Zen Poetry of Ryokan by John Stevens

My rating: 5 of 5 stars

This translation and introduction by John Stevens is highly recommended for its beauty. It is also a marvellous introduction to the way of living of the Japanese hermit-monk Ryokan

One example: after returning to his small hut – metaphor for clinging to his earthly ego? – Ryokan noticed that all was gone, he composed the haiku:

The thief left behind
the moon
At the window.

Another translation of this haiku:

The thief leaves behind,
the ever changeful Moon
at the firmament

Moon is often used to refer to Tao; it also indicates the firm belief of Ryokan.

View all my reviews

Published: Who are you – Part 2.3: Emptiness / E-book


Posts from this blog bundled as blook “Who are you part 2.3: Emptiness” are published as E-book on the website of Omnia – Amsterdam Publisher.

This E-book is freely downloadable via:

https://www.omnia-amsterdam.com/books/who-are-you-emptiness

Who are you 2-3Section 2.3 is an exploration of “emptiness” during a four-day sailing trip with the tidal flow on the Wadden Sea, where Carla Drift, Man Leben and Narrator first survey “emptiness” in the form of “empty from” and “empty to”, then consider “emptiness” as “being whole” (or “ursprünglichen Ganz Heit” in “Being and Time” by Martin Heidegger) and thereafter perceive “emptiness” as uniqueness – in unity and unicity – of everyday life superimposed within “being whole” as answer to the question “One, what is that?”. This exploration of “emptiness” provides an introduction and commentary on the Buddhist Heart Sūtra.

Printing of this Ebook is allowed for your own use or for educational purposes. Readers and users of publications by Omnia – Amsterdam Publisher may show their gratefulness by donations to charities of their choice.

 

Way of emptiness


Note: the original title “Weg van leegte” in Dutch, has three meanings: “Way of emptiness”, “Way from emptiness” and “Loving emptiness”

Halfway through the afternoon – when the boat is released by the rise of the tide – Narrator raises the anchor. Carla and Man hoist the sails and with a breeze from the west they sail with the flow in the direction of Lauwershaven.

“Where shall we moor tonight?”, asks Narrator to Man.

“With some luck southeast of Ameland. Tomorrow at the end of the morning – well before the change of weather – we will be back in the marina near Lauwersoog”, says Man.

“You are completely at home while sailing this boat: it seems that the boat, the waves, the wind and you fully go together. I recognise this, because looking back on my life I have always been completely at home in my four separate incarnations [1]: these have always fit me like the left eye and the left hand go together with the right eye and the right hand. In my third incarnation as wandering bhikṣu in Europe – following the annual migration of birds between South and North Europe – I have completely been absorbed in emptiness of meditation during my wanderings. My sense of time was gone, I lived in a timeless endlessness. If I look at you sailing in a relaxed and focused way, I perceive complete natural meditation in action: the boat goes – with help of small movement of helm and sail – smoothly by itself over the waves”, says Narrator.

“For me, sailing is a form of meditation; I already sail a long time. As a high school student, I aimed to sail as fast as possible and let the boat – without loss of speed – spectacularly cut through the waves. Now I let the wind and waves do the work together with the boat and the sails; I steer only occasional, as during meditation I let lingering thoughts drift away”, says Man.

“It is very easy for you”, says Narrator.

“That is partly true, I have to keep my attention and thoughts focused on the direction that we want to go and on the shoals that we must avoid. Meditation on a pillow is endlessly easier for me”, says Man.

“That is true for humans. I am not sure whether this is also true for other beings. A Buddhist teacher compares meditation with sitting as a frog. [2] Sitting is an everyday activity for a frog. The teacher says:

”When you are you, you see things as they are and you become One with your surroundings”.

In everyday life I see humanity often focused on a small part of oneself. Because of this, they lose sight of the things as they are – they confuse a wave with the ocean – and thus estrange from their surroundings.

Kikker[3]

Before we sailed away this afternoon, I saw the high tide arriving in waves; observing the interplay of waves and shells on the flats, this haiku originated:

In every wave
Nothing comes and goes;
Shell in the tide

Maybe this haiku came forth form the poem “Shell” by the Japanese poet Shinkichi Takahashi:

“Nothing, nothing at all is born, dies”, the shell says again and again
From the depth of hollowness.
Its body swept off by the tide – so what?
It sleeps in sand drying in sunlight, bathing in moonlight [4],
Nothing to do with sea or anything else.
Over and over it vanishes with the wave [5]

Since 30 years ago – at the opening of blossom buttons in the warmth of the sun – upon saying goodbye to my beloved [6], I carry this poem with me”, says Narrator.

“This haiku and poem give a voice to my perception of unicity – in oneness and uniqueness – while sailing”, says Man.

“Almost always when I’m busy with only one activity, I experience this feeling of oneness. When doing several things at once – for example: quickly packing luggage for a journey and also dealing with all kind of practical matters, such as paying bills, call people, etc. –, my experience of oneness evaporates in the cross swell caused by dividing my attention”, says Carla.

“The boat rocks so beautiful now; I will go back to sleep. Would you wake me at the beginning of the evening? Or no, please wake me when the boat has moored at low tide”, says Narrator.

Man sails the boat with help from Carla to the planned mooring. Carla and Man lower the sails, drop the anchor and let the boat moor. Carla wakes Narrator as promised.

“You have already ignited the lamp in the kitchen. Shall I prepare the supper for tonight? What would you like to drink? I have one last bottle of red wine”, says Carla.

“Nice, I think we have enough bread tonight and tomorrow”, says Man.

“I would prefer some water first, do we still have enough water left?”, asks Narrator.

“More than enough for two days”, says Man.

“Before I went to sleep, I thought that this afternoon – during our conversation while sailing – I have done injustice to everyday life. A Buddhist question focuses on the importance of everyday life. The question is as follows:

A student [7] asks a teacher: “What is the way (Tao)?”. The teacher answers: “Daily life [8] is the way”. The student asks: “Should we direct ourselves to it or not?”. The teacher answers: “If you direct to it, you go away from it”. The student asks: “If we do not direct to it, how can we know it is the way?”. The teacher answers: “The way does not belong to knowing and not-knowing. Knowing is an illusion, not-knowing is emptiness of consciousness. If you realise [9] the way, you perceive this way as vast and boundless as the endless empty firmament. How can the way be seen as right or wrong”. With this answer the consciousness was like the full moon. [10]

Maan eenMaan twee[11]

And the poem accompanying this question reads:

Flowers in spring, the moon in autumn,
A cool breeze in summer, and snow in winter;
If there is no vain cloud in your mind,
For you it is a good season.

Upon reading this poem I have made this haiku:

Every season
Without a cloud in your mind
A good season

This question covers by all means the way of emptiness, of the All-encompassing One and of everyday life”, says Narrator.

“This is a famous question from the Mumonkan [12] – in English the “Gateless Gate” – the gateless gate to the gate of emptiness whereby every distinction within the All-encompassing One (or “being-whole” according to Martin Heidegger) is lifted. Via this question a Buddhist teacher has realised enlightenment: the voice of this teacher still sounds within all and everything. A student of this teacher was once confronted with a famous phrase by this teacher, whereupon the student said: “My teacher never said this. Please do not gossip about my teacher“. I think this student is referring to the universal teacher inseparable included within the All-encompassing One wherein also his former teacher completely coincides [13].
Mentioning the “Gateless Gate”, I think that we have arrived at the mantra of the Heart Sutra. Can you explain the meaning of this mantra in Sanskrit”, asks Man to Narrator.

“Delicious cheese with bread. Please, could you pour me some wine?”, asks Narrator to Carla.

“Please”, says Carla.

“The wine tastes wonderful with cheese and bread. It is like a dessert at this short boat trip.
The Heart Sūtra is one of the few sūtras with a mantra; hereby can be seen that it is a later Buddhist sūtra, because mantras became popular in India well after the onset of Buddhism [14].

The mantra is as follows:

tadyathā | gate gate pāragate pārasaṅgate bodhi svāhā

Wherein the separate words have the following meaning:

  • • “Tadyathā” consists of:
    • “tad” meaning “also, in this world”,
    • “ya”: we have seen this word in śūnyatā and it has the meaning “mover” and “incentive”. My father was of the opinion that “ya” is closely related to “√yaj” in the sense of “sacrifice”, “offering for a higher – Godlike/heavenly– purpose” (perhaps “God’s gift” in reciprocity). My father has also told me once that “ya” is connected with our word “yeah” as positive consent and confirmation,
    • “yathā” meaning “in this manner”,
      Hereby “tadyathā” has the meaning: “all thus”. The full literary meaning is: “All-encompassing One” or “being-whole” here and now in all its glory – as “God’s gift” in complete reciprocity.
  • The word “gate” has for me a very special meaning. I had lived one year of my life with my beloved lived in the Prästgatan – the priest street – on the island of Gamla Stan in Stockholm [15]. In Sanskrit “gate” is not only a conjugation of the verb “gam” meaning “to go”, but it is also the “locative or place-conjugation” of the noun derived from the verb “to go”. Thereby “gata” has the meaning of “disappeared, disappeared from this world, deceased, dead, gone, come, come forth, near, arrive, know, and spread everywhere” [16].

Prästgatan[17]

  • The word “para” is used in Sanskrit in three ways with the following meanings:
    • pāra: crossing, the other side, the other shore, guardian, fulfil, go through, to bring to a close. In Buddhism “the other shore” is used as metaphor for enlightenment.
    • parā: away, off, aside
    • para: highest, supreme, old, ancient, better or worse, and sometimes also superior or inferior.
      Here the first meaning of the word is used; my father added that while using one way and meaning of the word para, the other ways and meanings are always gently resonating.
  • The word “sam” meaning: “together, binding, intensity, complete, and completely destroyed”,
  • Bodhi: perfect wisdom, enlightened mind,
  • Svāhā: exclamation at an offer, hallelujah or “amen”.
    Usually this mantra is not translated; freely rendered the meaning of this mantra is:
    All thus, gone, gone, gone beyond, all and everyone gone together beyond, enlightenment, amen!

One commentator [18] has written that the first “gate” refers to the deep inner desire to enter the path of the Bodhisattva, the second “gate” refers to obtaining inner maturity and the third “gate” together with “pāra” to a perfect maturity – or probably enlightenment.
I think that every form of “gate” and every word in this mantra – like every word that we speak – directly and without distinction refers to the All-encompassing One or the “being-whole” as described by Martin Heidegger.

In the long version of the Sutra, several confirmations of the truth of the contents of the Sūtra and a few words of praise for the attendees follow upon the mantra; in the short version the Sutra ends with this mantra.

Time for some bread and wine”, says Narrator.

“What can I add to this introduction on the Heart Sūtra? Of course, a complete study as lifework can be made on many details and on the content and the influence of this sūtra. But I think the biggest challenge is the integration of the content of this sūtra in our daily lives. I do my best, but often I am carried away by the everyday concerns and ordinary issues”, says Man.

“The daily concerns and issues of the day are part of our “being-whole”: these concerns and the issues of the day are perfectly encompassed in “being-whole” and they certainly require attention – or better compassion – to receive a suitable place in our “being-whole” without outshining everything and causing a Buddhist hell. This compassion is nicely displayed in the words “All-encompassing One” for our “being-whole””, says Narrator.

“Until now, I have followed the introduction without giving significant additions, also because I want to take note of this new way of looking at emptiness. Now we have come to the end of the introduction, I see that the merging between “being-whole” and our everyday life provides a good basis for ethics; many ethical principles and assumptions of humanity and compassion are in some way based hereupon.

I understand this basis – static and dynamic – intellectually. But emotionally, I struggle to unite change, renewal and aging in our lives within the merging between “being-whole” and everyday life. In addition, I do not know how the miracle of “life” relates to the merger between “being-whole” and the issues of the day via superposition. Or in a metaphor: how does the hologram of impressions – that we have – relate to the whole interplay within Indra’s net, and also, where does the light within Indra’s net come from?”, says Carla.

“The miracle of the origin of life, the light and the origin of change seems to be beyond our comprehension, although we are constantly right in the middle of this miracle: just as the fish who will discover water as last although the fish is completely immersed herein. By being complete involvement, we live it constantly and completely”, says Narrator.

“What do you think of my following proposal: shall we locate “change” – the following common reality in our quest to “Who are you” – on a holiday tour in Kenya? It is my wish to go to Africa once in my life, and I understand that Carla also would like to return to Kenia again. I can easily offer the travel and stay from my funds. Narrator, I understand that you cannot travel to Africa because of your past as a child soldier and your former role in the worlds of secret services for which you are still on the run: maybe we should forget this proposal”, says Man.

Kenia[19]

“No, I think it’s a very good idea. I would like to hear a report of this tour to the country of my mother and my childhood. During the report, I will give the necessary additions. In the meantime, I can make preparations for the first two sub-parts “Ishvara” and “Et incarnatus est” of part three of the quest. These two sub-parts of the third part will fit well with “emptiness” in the form of “being-whole””, says Narrator.

“I would like to accept this offer gladly, but I have reservations about the absence of Narrator on this tour”, says Carla.

“From a distance I will travel constantly with you: I will breathe with your breath and will look with your eyes. If you will not go, I will not breathe the air of Africa and I will not see my homeland again with your eyes. I will join you on this tour within the emptiness of the “All-encompassing One”, says Narrator.

“Would you like one last sip of wine from the bottle? Maybe Man and I should fulfil our desire to visit Africa”, says Carla.

“Let us yet share the last sip of your wine with my bread and cheese before you go to sleep. And you should definitely go: I look forward to hear your experiences and learn the changes that have taken place in my homeland”, says Narrator.

“Yes, please one last sip of your delicious wine. We will sail away tomorrow at dawn. It’s good that Carla and I go to bed early; would you like to wake me up when you wish to transfer the vigil?”, asks Man to Narrator.

“I will keep the vigil; I will wake you at dawn, because I cannot sleep under the starry sky”, says Narrator.

After a few moments, Carla and Man go to bed. The next morning they sail to the marina near Lauwersoog. There they prepare the boat for the transfer to the friend of Man.
Mid-afternoon Carla and Man say goodbye to Narrator at the bus station.

“I am looking forward to see my friend in Groningen. Over 25 years ago we were both lovers within a turbulent life in Amsterdam, but now we are good friends who both have a pleasant life: he as an associate professor in Groningen and I am a wandering monk. Our mutual passion is gone, but the mutual compassion has remained. We are pleased to be able to see each other again: many of our friends did not survive the AIDS-era in Amsterdam. Meeting him again, I will also meet the deceased common old friends. I wish you a nice trip in Africa during the coming weeks. When you are back, I will contact you”, says Narrator.

“I am looking forward to your postcard for our next meeting”, says Man.

“I will let you know when I am back at Schiphol Airport. There is the bus to Groningen. Send my regards to your friend”, says Carla.

“And mine too”, says Man.

Near dinnertime the boat is ready for the transfer. At sunset Carla and Man drive to a hotel for overnight stay nearby.

Waddenzee[20]

During the next morning a storm rages over the Wadden Sea and hunts the water forth.

Voidness of the storm
In the water of the sea,
Hunts the waves forth

[1] See: Leben, Man, Narrator Nārāyana – One way – One Biography. Amsterdam: Omnia – Amsterdam Publisher, 2013, p. 202
[2] Source: Suzuki, Shunryu, Zen Mind, Beginners Mind: Informal Talks on Zen Meditation and Practice. New York: Weatherhill, 1980, p. 80
[3] Source image: http://nl.wikipedia.org/wiki/Kikkers
[4] In Buddhism the Moon is often a reference to religion – or to the All-encompassing One.
[5] Source: Stryk, Lucien & Ikemoto, Takashi, Zen Poetry. Harmondsworth: Penguin Books Ltd, 1981, p.133
[6] See: Leben, Man, Narrator Nārāyana – One way – One Biography. Amsterdam: Omnia – Amsterdam Publisher, 2013, p. 131 – 135
[7] This student is the later teacher Zhaozhou Congshen, who is also known as Joshu (the name whereby he is known in Japan). See also: http://en.wikipedia.org/wiki/Zhaozhou_Congshen
[8] Free rendering of “The ordinairy way”
[9] Narrator has already given an explanation of “realise”: “My father has heard from his ancestors the meaning of the keyword “realise” that is composed of “re”, “all”, “Īśe” [this is the locative of Īśa whereby Īśa means in het Sanskrit amongst others “God in celestial heaven”, “One who is completely master of”. The sound of Īśa has similarity with “ich” – the German first person singular]. Herewith realise means amongst other “honouring” “again and again”, “all”, “in its all-encompassment”. See also: Leben, Man, Narrator Nārāyana – One way – One Biography. Amsterdam: Omnia – Amsterdam Publisher, 2013, p. 126
[10] See also: Shibayama, Zenkei, The Gateless Barrier, Zen Comments on the Mumonkan. Boston: Shambhala, 2000, p. 140 – 147; Yamada Kôun Roshi, Gateless Gate (Mumonkan). Tucson: The University of Arizona Press, 1990, 93 – 97; Green, James, The Recorded Sayings of Zen Master Joshu. Boston: Shambhala, 1998, p. 11
[11] Source image: http://en.wikipedia.org/wiki/Full_moon
[12] The Mumonkan – in Engish mostly translated with Gateless Gate – is a collection of 48 Zen Koans that is compiled by the monk Mumon in the 13th century AC.
The character 無 (wú) has a fairly straightforward meaning: no, not, or without.
However, within Chinese Mahayana Buddhism, the term 無 (wú) is often a synonym for 空 (sunyata). This implies that the 無 (wú) rather than negating the gate (as in “gateless”) is specifying it, and hence refers to the “Gate of Emptiness”.
This is consistent with the Chinese Buddhist notion that the “Gate of Emptiness” 空門 is basically a synonym for Buddhism, or Buddhist practice. 門 (mén) is a very common character meaning door or gate. However, in the Buddhist sense, the term is often used to refer to a particular “aspect” or “method” of the Dharma teachings. Source: http://en.wikipedia.org/wiki/The_Gateless_Gate
[13] See also: Shibayama, Zenkei, The Gateless Barrier, Zen Comments on the Mumonkan. Boston: Shambhala, 2000, p. 262, middle of the page; Yamada Kôun Roshi, Gateless Gate (Mumonkan). Tucson: The University of Arizona Press, 1990, 178, last paragraph
[14] Source: Lopez, Donald S. – The Heart Sutra explained Delhi: Sri Satguru Publications, 1990 p. 109
[15] Zie ook: : Leben, Man, Narrator Nārāyana – One way – One Biography. Amsterdam: Omnia – Amsterdam Publisher, 2013, p. 103 – 133
[16] Source: electronic version of the dictionary Monier-Williams – MWDDS V1.5 Beta
[17] Source image: http://sv.wikipedia.org/wiki/Pr%C3%A4stgatan
[18] The name of this commentor is Śrimahājana. Source: Lopez, Donald S. – The Heart Sutra explained Delhi: Sri Satguru Publications, 1990 p. 111
[19] Source image: http://en.wikipedia.org/wiki/Maasai_people
[20] Source image: http://nl.wikipedia.org/wiki/Waddenzee

Form is emptiness and emptiness is form


Around half past one in the afternoon the fog slowly disappears. Carla awakes Narrator and she says that Man and she will start preparing lunch. Man proposes to have a warm lunch, so in darkness of the evening at the next landing point a simple meal will suffice.

When Narrator is up and fully awake, the warm lunch is ready.

“A simple but wholesome meal. I hope you will enjoy this meal”, says Man.

“Enjoy your meal”, say Carla and Narrator.

“I think we will have sufficient visibility to sail away at high tide”, says Man.

“That would be nice, because then I can take a nap at the end of the afternoon in a rocking boat”, says Narrator.

“Now we have mentioned the rocking of the boat; a few minutes ago I saw a few ducks floating by on the puddle of water next to the boat. Upon seeing the waves’ game caused by kicking their legs in the wake of these ducks, I thought of our conversation this morning about our life as a dream superimposed within “being-whole”. The waves’ game – a metaphor for our life as a dream, because the waves’ game in the water surface is a superposition within the surface – in the water is a metaphor for being-whole”, says Carla.

Drijvende eenden[1]

“A nice example of the combination of being-whole with the swirling manifestations of daily life”, says Man.

“Now mentioning it, could you hand me some water?”, asks Narrator to Man.

“Please”, says Man.

“I believe we have now arrived at the core of the second part of our quest to “Who are you”. Being-whole and “you” appearing in daily life go together within the ineffable all-encompassing “being-whole”, whereby we – the other and I in our everyday manifestations – are superimposed like a dream in the “wholeness”.

Here I am reminded of a radio signal – superimposed on a carrier – that as one signal is transmitted through space. Without the carrier no transference of a radio signal, without space no transference of the signal: they are mutually interconnected and interdependent in space.

Superpositie[2]

I come back to the question: “One – what is that?” to the wise woman in the Buddhist question whereupon she was unable to answer. Like a wave as manifestation and the ocean as “being-whole” inseparably superimposed on each other, is the “not knowing” of the wise woman also superimposed on “being whole” or is it fully encompassed in the “being-whole”?, asks Carla to Narrator.

“Both:

Night kisses the stars
And lets the waves move
Within the cosmos
The dream of dream a complete
Answer to: “One – what is that”

And:

A silent answer
To the question: “One – what is That”;
Being-whole in all

And together in one haiku:

In One breath
Form – empty, and empty – form
United in All

Herewith we have arrived at the heart of the Heart Sūtra according to one commentator [3] and the core of the Sūtra is:

“Here, form is emptiness and emptiness is form.
Emptiness is no other than form; form is no other than emptiness”.

Or in Sanskrit:

iha rūpaṃ śūnyata śūnyataiva rūpam
rūpānna pṛthak śūnyatā śūnyatāyā na pṛthagrūpaṃ

wherein we encounter several time the word “śūnyata”[4] for emptiness. The other keywords are:

  • iha is usually translated “here, in this world, in this place.” This adverb is composed of “i” meaning “compassion”, and “ha” meaning amongst others “meditation, knowledge, the moon, to destroy, to remove, to leave and as last letter of the alphabet also last breath or to kill”. Herewith the word “iha” has simultaneously the meanings of “removal of illusions with compassion” and “meditation and / or enlightenment in this world.”
  • rūpaṃ – the accusative of the word “rūpa” – usually translated with “form” and has also the meanings of “dreamlike appearance, inner nature, image, graceful shape and symptom.” The word “rūpa” comes from the verb core from the verb core √rūp meaning “to form, to figure” and also “to exhibit by gesture” and “to show oneself”. My father said that “to show oneself” is to realise – and to give shape to – the All-encompassing One or to “being-whole”.
  • “na pṛthak” is usually translated with “not without” or “not separate of”. [5]

According to the core of the Heart Sūtra, not only the manifestations of daily life and of our everyday life, but also “the realisation of the All-encompassing One and herewith being-whole” is empty”, says Narrator.

“In the Heart Sūtra several times an explanation is given to Shāriputra, for example: “Thus (evaṃ) Shāriputra, all Dharma’s are empty without characteristics, not arisen, not disappeared, nor immaculate, nor polluted, nor complete and nor unfilled”. What is the meaning of the name Shāriputra?”, asks Carla to Narrator.

“The name Shāriputra is composed of “Shār” meaning in Sanskrit “wind, arrow and injure”, and “putra” meaning “child” [6]. Herewith the name Shāriputra refers to “child of the wind” – volatile and always everywhere present – and thereby “child destined to remove the illusions (like an arrow in one sigh)”. Because this destination Shāriputra is described in several Mahayana texts standing with one foot in “being-whole” and with the other foor in “the phenomena of everyday world”; by this double role, Shāriputra is an ideal person to act in the “All-encompassing One” and within “the delusion of daily life” as part of “being-whole”. Shāriputra [7] is one of the most important disciples of Shakyamuni Buddha. According to Buddhists Shakyamuni Buddha is the historical person Siddhārtha Gautama after his complete enlightenment”, says Narrator.

“Your explanation of the core of the Heart Sutra reminds me of the name YHWH for God in the Tanach [8] – and in the Old Testament of Christianity – meaning “Eternal” or “Always” and this name can also be understood as the Hebrew verb “הוא” or “is” from the verb “to be”. Usually “הוא” is translated as “He who is” but the originally meaning is just “is” without further interpretation. While interpreting their core, many religions fall back on the “unmentionable” for example in Hebrews 7: 3 with “Without father or mother, without genealogy, without beginning of days or end of life” for the Messiah (or the eternal priest). But immediately after the mentioning of the “unmentionable being”, religions begin to explain this “unmentionable being” within daily life and afterwards to secure the place of the followers within “being-whole” and in relation to the “unmentionable being””, says Man.

“Similarly, the Heart Sūtra. After the core: “Form is emptiness and emptiness is form. Emptiness is no other than form; form is not different from emptiness”, the Heart Sutra begins slowly to turn again like a cyclone, because hereafter is restated that – in addition to form – the four other skanda’s are empty: “In the same way feeling, perception, thought and consciousness are empty”. After this – as Carla mentioned before – the Sutra says that all forms of self / Self are empty without content:

“Thus [9] all Dharma’s [10] are empty without characteristics, not arisen, not disappeared, nor immaculate, nor polluted, nor complete and nor unfilled”.

I can only read this as: all Dharma’s are – via “emptiness is form” – fully included in the All-encompassing One” or the unmentionable and indivisible “being-whole” of Martin Heidegger. ”

And the Sūtra continues with a large number of negations:

“Therefore, in emptiness there is no form, no feeling, no perception, no memory, no consciousness, neither eye nor ear or nose or tongue, neither body nor mind, nor form, neither sound nor smell nor taste, neither feeling nor traces of perception from eye to conceptual consciousness, nor causation from ignorance to old age and death, no end of causation from ignorance to old age and death, nor suffering, nor relief, no way, no knowledge, no achievement or non-achievement”

With these negations the Sūtra begins (after “Form – emptiness and emptiness – form”) slowly to get fully form (and emptiness) again – like a photo immerged in a photographic developer – within the All-encompassing One.

Ontwikkelbad[11]

Ah, finally the sun, within a short while the fog will disappear. With some luck we can soon look around us again. When are you planning to sail away?”, asks Narrator to Man.

“I propose to raise the anchor about three o’clock at high tide and start our return to Lauwersoog. Due to the fog this morning we have not been able to begin the last part of our trip to Vlieland. When we would sail this last part this afternoon, we will have a chance to end up in bad weather – according to the weather forecast – within two days: to me it seems better to avoid this. Now we can arrive in the marina before the weather change. And I can have the boat ready in time for the transfer to my friend”, says Man.

“”I’ve spoken so much that I’ve forgotten to eat. Could you hand me the bread and cheese?”, asks Narrator to Carla.

“Please. Are bread and cheese also empty according to the Heart Sūtra? I think I know the answer, but what do you think?”, asks Carla.

“They are no permanent – independent – forms: they are arisen by baking the bread and ripening of the cheese and they will change into another form during digestion. Even if they are not eaten, they will spoil within a short time. The generally accepted idea of “bread” and “cheese” are also no permanent independent forms: they receive meaning and value within a human society, they have originated once in the course of history, they change and they will disappear once again. In this way, bread and cheese are at the same time form and emptiness within our lifetime. In addition, they give form and emptiness to our lives within our “being-whole”.
Herakleitos had said according tradition:

“πάντα χωρεῖ καὶ οὐδὲν μένει” καὶ “δὶς ἐς τὸν αὐτὸν ποταμὸν οὐκ ἂν ἐμβαίης” [12]

of interpretated:

All changes and nothing remain still, and we cannot step twice in the same stream”.

Just like our sailing trip on the Waddensea: everything is constantly changing form, and no form is permanent. The fog that has just fully enveloped us, is gone. This reminds me of a short poem at the end of a Buddhist question. I have made this a haiku from this poem:

Sun shines in the sky
On vanishing of the mist
As bright as allways

Although we will consider “change” at the next part of our quest, I still ask the question now: Is the constant change within “being-whole” empty too?

This question is important because the Mahābhārata states on one hand that everything – even the gods – and perhaps “being-whole” is bound to dharma [13], but according to the Heart Sutra, the dharma’s are empty and simultaneously included in “being-whole”. Is the “being-whole” also empty?”, asks Man to Carla en Narrator.

“Based upon “facts and logic” no answer is possible according to the two incompleteness theorems [14] by Kurt Gödel [15]. Briefly – and focused on the question “Is “being-whole” empty” – the theorems read:

  • In case a system – “being-whole” or finite – is consistent (or empty), this system cannot be complete and
  • The consistency of the axiom’s like “Is “being-whole” empty” cannot be proven from the system – “being-whole” or endless – itself.

I come to this conclusion because “being-whole” is so unknowable endless, that there is always place for something additional. I think “being-whole” is endless because mathematics permits the concept of “infinity” easily, but I cannot prove that “being-whole” is infinite, because it is – due to indivisibility – by definition unknowable and incomparable in size.

From metaphysics, I think that “being-whole” has by definition has no distinction and is therefore indivisible; hereby “being-whole” is empty of all discrimination and understanding, because there is nothing to understand or grasp. I think this definition – as all assumptions – is debatable.

Besides that there are of course the various temporary manifestations superimposed within “being-whole”, like photos immerged in a photographic developer. These manifestations are as real as when I squeeze you in your arm and as volatile, empty and real – as form is emptiness and emptiness is form – within the metaphor of Indra’s Net”, says Carla

“This lunch was excellent; shall we have some coffee?”, says Narrator.

“I will make some coffee”, says Man.

“Your haiku is based on the poem in the Buddhist question “Wash you bowls”. Summarized and adapted to our time this question is:

“A student enters a monastry and asks for instructions. The teacher asks: “Did you have your lunch?” The student answers: “Yes, I have”. “Then”, the teacher says: “Wash your plate and cutlery”.

And the poem is:

Because it is so clear
It takes longer to realise.
If you acknowledge at once that candlelight is fire,
The lunch has long been prepared. [16]

Or said in another way: “A fish discovers water last of all. So it takes a long time to realise “being-whole” because it is omnipresent. When you recognise that all forms are completely included in the All-encompassing One, then this lunch has long been prepared”.

The poem gives immediately – or directly and momentaneously – an answer to the question where we may find “being-whole”: “Here (“iha” in Sanskrit) at this place where we sit” and “Here in the shoes wherein we stand”. Because it is so obvious, it will go unnoticed.

The non-dualistic Vedānte [17] – amongst other based upon the Upanishads and the Bagavad Gītā – often refers to the All-encompassing One, whereafter at once a distinction is introduced, for example the caste in India, student and teacher, higher beings and humans [18].
This same distinction within “being-whole” immediate arose within the Tanakh and the Old Testament where God – YHWH (or “is”) – humans are separated after a few words thereby entering our manifestations within everyday life.

Recently I read on the back cover of “Deze wereld anders – Politieke geschiedenis van het grote verhaal” (This world different – Political history of the grand story) by Ton Veerkamp:

“Christianity focused on heaven – the heaven of the folk religions – and the afterlife. Everyday life and the “here and now” was a side issue and thus Christianity has often excessively adapted itself to a world of power and oppression.”

De wereld anders[19]

I think every religion has done this in to some extent: nothing human is excluded from religions.
The Heart Sutra continues after mentioning the core of “being-whole” – and after a large number of negations of daily realities that are empty of content and form – by entering the path of the bodhisattva.

“Therefore without attainment, the bodhisattva’s [20] – via perfect wisdom (prajñāpāramitā) – are without obstructions on their life course. Without obstructions and thus without fear they surpass their illusions (within daily life and within “being-whole”) and nirvana [21]. Due to the perfect wisdom (prajñāpāramitā) all past, present and future Buddha’s realise the “All-encompassing One”.”

The All-encompassing One” is “Here (“iha” in Sanskrit) at this place where we sit” and “Here in the shoes wherein we stand”.

In this manner the Heart Sūtra – although in words that distinguish and create distance – has tried to describe life course (or Tao) within the non-dualistic All-encompassing One.
Time to wash my plate and cutlery”, says Narrator.

“With your plate and cutlery also the All-encompassing One” is washed within our world. This is perfectly clear within the metaphor of “Indra’s Net”.

In everyday life, I notice a limitation on the scope of washing your plate and cutlery, because the transfer of information – the light within the metaphor of Indra’s Net – has obvious limitations and because way of perception does affect our way of seeing.

Approached from the world of phenomena and viewed from everyday individual objects it is utterly impossible to wash only the plate and cutlery without having an impact on the environment, because there is always an influence on dishwasher, soap and the dishwater had an initial temperature by the sun before it is heated etc. etc.

In my life, I experience both worldviews as completely real and practical, but I cannot let both completely overlap in one comprehensive system: the metaphor of superposition of the world of phenomena within “being-whole” helps, but is not fully satisfactory for me”, says Carla.
“The Heart Sūtra is a scripture originated from Mahāyāna Buddhism. This form of Buddhism is also called the “middle way” because within this religion one tries to unite the world of “being-whole” with everyday life. This “middle way” takes shape in the bodhisattva ideal. A bodhisattva – with both feet together in the worlds of “being-whole” and of “everyday life” – will only enter the All-encompassing One together and at the same time with everyone and everything. Within this ideal a bodhisattva enters – here and now – constantly “being-whole” and “daily life” to save everything and everyone from life suffering”, says Narrator while washing his plate and cutlery.

 

[1] Source image: http://nl.wikipedia.org/wiki/Superpositie_%28natuurkunde%29
[2] Source image: http://en.wikipedia.org/wiki/Amplitude_modulation
[3] See: Lopez, Donald S. – The Heart Sutra explained Delhi: Sri Satguru Publications, 1990 p. 57
[4] See for an exposure of “śūnyata” the post: “Emptiness: to the end of the night”
[5] Source: electronic version of the dictionary Monier-Williams – MWDDS V1.5 Beta
[6] Source: electronic version of the dictionary Monier-Williams – MWDDS V1.5 Beta
[7] See also: http://en.wikipedia.org/wiki/Sariputta
[8] Source: Tanach Heerenveen: Uitgeverij NBG, 2007, p. 113
[9] The Heart Sūtra uses the word “evaṃ”. See for an explanation footnote 14 in chapter “Mist”
[10] Dharma means literally “continuously placing of the self/Self”.
[11] Source image: http://en.wikipedia.org/wiki/Darkroom
[12] Source: http://en.wikipedia.org/wiki/Heraclitus
[13] See for an explanation of Dharma: Origo, Jan van, Who are you – a survey into our existence – part 2.1 – Facts and Logic. Amsterdam: Omnia – Amsterdam Publisher, 2014, p. 34 e.v.
[14] See also: http://en.wikipedia.org/wiki/Kurt_G%C3%B6del
[15] See also: Origo, Jan van, a survey into our existence – part 2.1 – Facts and Logic. Amsterdam: Omnia – Amsterdam Publisher, 2014, p. 62 – 64
[16] See also: Shibayama, Zenkei, The Gateless Barrier, Zen Comments on the Mumonkan. Boston: Shambhala, 2000, p. 67 – 71 and Yamada Kôun Roshi, Gateless Gate (Mumonkan). Tucson: The University of Arizona Press, 1990, 40 – 43
[17] See also: http://en.wikipedia.org/wiki/Vedanta
[18] See: Venkataramanan, S. Select Works of Sri Sankaracharya. New Delhi: Cosmo Publications, 2003
[19] See: Veerkamp, Ton. Deze wereld anders – Politieke geschiedenis van het Grote Verhaal. Vught: Uitgeverij Skandalon, 2014
[20] The word bodhisattva consists of two words “bodhi” and “sattva” meaning “perfect knowledge, wisdom” and “being, conscience, living being” in Sanskrit. The school of Maha ya na buddhism knows the bodhisattva ideal. According to this ideal, a human who is on the verge of enlightenment – named bodhisattva, will refrain of entering until the complete universe and every particle is capable to enter enlightenment. In the meantime a bodhisattva will prepare everyone and everything for enlightenment.
[21] Literally: absence of forest (or barriers) or the open plain

Mist


At the beginning of the night, Narrator stands guard on a clear night sky while Carla and Man sleeping. Halfway through the night, the sea fog is getting thicker, so that the sight at the start of the morning is less than 20 meters.

Around 7 a.m. Narrator awakes Man and Carla as agreed. After a brief look outside Man says to Narrator that in the coming hours it will be impossible to sail with visibility less than 200 meters; he proposes to take over the watch, but Narrator prefers to sleep during the day while sailing, because then the boat is rocking pleasantly. Man asks to be awaken at 9 am at the latest or earlier in case the fog clears off. Carla and Man start sleeping again.

At 9 am Narrator starts making breakfast with fried eggs and cheese. Carla and Man are still dozing, but the smell of fried eggs makes them awake. They get up, they wash themselves with cold water and put quickly warm clothes on. Visibility is still poor.

“Low tide is nearing. It does not make sense to sail away this morning, because we do not have enough time to arrive at a next good landing place. We may enjoy this view until the next high tide. When the sun will starts shining it may be quite comfortable. Nice that you have already prepared the breakfast”, says Man.

“Delicious: fried eggs and coffee to start the day. After our discussion last night about “being whole” that – according to Martin Heidegger – is by definition “empty” or “the nothingness”, I had dreamed last night about the way women in the Buddhist question last week at the end of “intensities and associations” [1]; she was unable to answer the question: “One – what is that” [2]. Until tonight I thought that this wise woman was beaten dumb because the Buddhist sage had uncovered with this question her ignorance and misunderstanding regarding “One – what is that” had uncovered.

In my dream I knew that the wise man and wise woman were entirely included in the “being whole”; they were one – question and answer was one, speaking and silence was one and understanding and misunderstanding were merged into one – and herewith an answer was unpronounceable: it was not necessary and not possible. Suddenly I had a great respect for the inability of the wise woman to answer. Now, at daylight, in this fog my understanding of this answer begins to fade, as if the centre of the cyclone moves and swirls of the storm of daily life sweep away the oneness of “being whole”, says Carla.

“Man would you be so kind to pour me some coffee? Thank you. Until recently, I have studied a Buddhist question about “being whole” and diversity named “A woman comes out of meditation” [3]. Very briefly this question is as follows:

Once long ago, “being whole” – or All-encompassing One – was present in a place where many Buddha’s [4] had gathered. When Mañjuśrī – teacher of the seven Buddhas and and and excellent bodhisattvas [5]; his name comes from the verb cores √mañj meaning “to cleanse or to be bright” and √śrī meaning “to mix, to unite, to cook” whereby his name refers to perfect enlightenment in our earthly existence – arrived, the Buddha’s disappeared to their original abode. Only a young woman – in deep meditation – stayed behind near Shakyamuni [6] Buddha’s seat. Mañjuśrī asked Buddha: “Why can a young woman be near the seat of Buddha while I cannot?” Buddha replied: “Get her out of meditation and ask her yourself”. With all his knowledge and super-natural powers, Mañjuśrī was not able to get her out of meditation. The All-encompassing One told Mañjuśrī: “Countless Mañjuśrī are not yet able to get her out of meditation. Far beyond more countries than there are grains of sand in the world’s oceans, lives a junior bodhisattva who will be able to awaken her out this meditation”. Immediately this junior bodhisattva appeared and after a snap with his fingers the young woman came out of her meditation.

Meditatie[7]

This Buddhist question includes several sub-questions:

  • How can Mañjuśrī – a bodhisattva – be the teacher of Buddha’s?
  • What is the original abode of the Buddha’s and why do they return to their original abode at the moment Mañjuśrī arrives?
  • Why can a young woman be near Shakyamuni Buddha’s seat while Mañjuśrī cannot?
  • Why can’t Mañjuśrī – an excellent bodhisattva – get this young woman out of meditation while a student bodhisattva can do this with a snap of his finger?

A Zen master [8] gives an explanation to the question how Mañjuśrī as bodhisattva can be the teacher of Buddha’s. This is possible because Mañjuśrī is symbol of prajñā or wisdom of “being whole” – also called the complete emptiness or absolute equality from which everything is born and to which all returns – that surpasses the mundane and metaphysical world. This “being whole” is nothing more than the realisation of the enlightenment of all Buddhas. Hereby Mañjuśrī is called the master of the Buddha’s: in the world of Mañjuśrī there is no subject and object, no getting up and no sitting down, no getting into meditation and no coming out of meditation. The junior bodhisattva symbolises worldly distinction: in his world we can freely stand up and sit down, being absorbed in meditation and come out of meditation.

This Zen master continues his explanation:
Everything in the world has two aspects of “being whole”: an essential aspect of “being whole” and a phenomenal aspect. Based on the essential aspect all and everything is empty: it has no shape, no color, no size and no surface. Herewith all is the same. On the basis of the phenomenal aspect, everything has a shape, a color, a size and a surface. Herewith all is unique and completely different. We human beings have two aspects: an essential manifestation and a phenomenal manifestation. Our entire equality and our absolute differences are two aspects of one “being”. Intrinsically both aspects are one and the same of our “being whole”. Therefore we can say that everything has a form and at the same time has no form, and in the same way we take no step when we walk and in the middle of a hectic city we are in the core of a deep silence. The complete understanding of the Buddhist question stems from a complete understanding of the combination of the essential – or empty – manifestations with all phenomenal manifestations within the “All-encompasing One”.

This Zen master gives the following explanation to why the junior bodhisattva can get the young woman out of her meditation while Mañjuśrī is not capable hereof:
Mañjuśrī and the junior bodhisattva both have freedom to act within their possibilities. Mañjuśrī is free to not get the young woman out of her meditation and the junior bodhisattva is free to let her stand up, just like a horse is free to gallop and a snail is free to crawl on the ground and free to not to gallop. Not being able to gallop of a snake is an elegant way to give substance to this freedom. The horse and the snake have in common that they both have the ability and freedom to fulfill their core of deep silence or rather their “being whole” within their “All-encompassing One”; so Mañjuśrī and the junior bodhisattva in their “whole being” in complete interconnectedness with all manifestations are completely free to reflect their Dharma [9] and their unchangeable “being whole” [10] within Indra’s Net.

This question with the explanation of the Zen master is a good start for a further exploration of emptiness and a closer examination of the Heart Sūtra”, says Narrator.

“This question and the explanation give words to my feelings of oneness in my dream that I had as a result of our discussion last night about “being whole” and the All-encompasing One”, says Carla.

“I am still looking for – after all the years I have immersed myself in meditation – a balance between the silence of meditation and the hectic pace of everyday life. The freedom to “be” in both worlds I have explored within my capabilities and limitations. In the separate worlds of meditation and everyday life I am at home and I am experiencing regular “being whole”, but I do not know the full integration of the two separate worlds within my life; maybe this integration is not given to me within my capabilities and limitations, or perhaps this integration is not possible within a human life. This Buddhist question is about this integration that I am trying to achieve.

The Zen master who gives this explanation, is using the word Samādhi for meditation. Do you know the origin and meaning of the word Samādhi in Sanskrit?”, says Man.

“The fog does not clear of yet; shall we make new coffee?”, says Narrator.

“I will make new coffee, then you can continue your conversation”, says Carla.

“Meditation is a good translation of Samādhi. In Sanskrit the word Samādhi consists of:

  • “sam” meaning “conjunction, union, to join together, to place together, intensity, completeness”,
  • “ā” meaning “backwards, back, giving a direction, completely, and also compassion and/or consent” and
  • “dhi” – as a weak form of “√dhā”: “to place, to bring, to help, to grant, to produce, to cause” – meaning “delight, nourish, satiate, satisfy” [11].

My father said that “dhi” also refers to “the other” in conjunction with the All-encompassing One. Recently, while studying the Buddhist problem, I noticed in a dictionary the meaning “receptacle” [12] for “dhi”, whereby I immediately thought of the explanation by my father in the sense of: all separate fleeting manifestations in conjunction with “being whole “in the All-encompassing One.

Meditatie 2[13]

I smell the coffee. The beans come all the way from Kenya; the land of my mother and of my youth”, says Narrator.

“We had in mind to translate verbatim the Heart Sūtra during this trip; I think this is not going to work, let us postpone the translation to a later time when it’s more convenient. I suggest to limit us these days to a discussion of the Sūtra”, says Man.

“Good idea. Shall I hand you the coffee: the mist will last awhile”, says Carla.

“Please do, that will keep me warm and awake after the vigil of this night. If I am not mistaken, the long version of Heart Sūtra has the following structure:

  • Introduction
  • Question and answer
  • Form is emptiness and emptiness is form
  • The negations and enlightenment
  • The mantra “Sadyathā oṃ, gate, gate, pāragate, pārasaṃgate, bodhi svāhā” and
  • The epilogue.

In the short version the introduction, the question and the epilogue are missing.

I have the impression that the introduction is added to the Heart Sūtra at a later stage to adjust this Sūtra to structure of the many other Sūtra’s and to trace the origin of the Heart Sūtra back to the origin of Buddhism. For me the introduction of this Sutra might be limited to “thus” or “evaṃ” [14] in Sanskrit, because herewith the Sūtra is completely traced back to the origin and to the manifestation of all phenomena.

After the introduction the question is in brief: “How may humans achieve perfect wisdom – or “prajñāpāramitā in het Sanskrit?”

The answer – and this is the beginning of the short version of the Heart Sūtra – is:
“They should realise that the five skanda’s [15] – according to Buddhist doctrine “form, sensation, perception, thoughts and consciousness” and on our quest “facts and logic, intensities and associations, emptiness, change and interconnectedness” – are – essentially empty to be

One commentator [16] gives the following explanation to this “empty of inherent existence”. There are five types of “emptiness”:

  • Emptiness of what dit not exist before, such as the sailing trip we cannot make this morning due to the fog;
  • Emptiness of what does not exist anymore upon being destroyed, for instance spoiled whipped cream that can never be changed in good whipped cream;
  • Emptiness of the utter non-existence, like dividing by zero with a fixed finite outcome [17];
  • Emptiness of one not existing in the other, for instance a dog cannot exist within a cat;
  • Emptiness of any entity and distinction, like “being whole” according Martin Heidegger.

According to this commentator, the Heart Sūtra refers to the last form of emptiness: the five skanda’s are empty of any distinction and so empty of any inherent existence [18]. Another commentator gives as example of “emptiness of any inherent existence”: a cairn in the mountains that is mistaken from a distance to be a human [19].

Steenmannetje[20]

After my education as architect, I have always given a lot of attention to the experience of space and herewith emptiness and the limitation and boundary of space.

Glasshouse[21]

The emptiness of the five skanda’s surpasses the emptiness of the free spaces and the emptiness to use this freedom. The emptiness of the five skanda’s is both unmentionable – because inside “being whole” nothing can be distinguished and mentioned – and mentionable because “being whole” includes the four other ways of emptiness and thereby all possible manifestations appearing illusions upon a closer look, as cairns being mistaken a human beings from distance.

It’s a little lighter, but visibility is still bad. This morning we cannot sail”, says Man.

“Very interesting way to highlight that the five common realities on our quest – “facts and logic, intensities and associations, emptiness, change and interconnectedness” – are essentially empty and herewith as manifestations – or illusions – are indivisible and simultaneously as illusions distinctively included in “being whole”. I have read somewhere that life is but a dream; according to the Heart Sutra it is a dream included – or perhaps partly superimposed [22] – within the emptiness of “being whole””, says Carla.

“Although I still do not sleep much at night – because memories of atrocities in the past continue to haunt me in the dark – a short poem by Ryōkan has accompanied many years on my travels:

Though I always sleep
on my travels, each night
in another place,
the dream I always dream
brings me to my own house.
(Ryōkan) [23]

This short poem gave me comfort, acquiescence and connection with my nomadic life in Europe; and also it connected me again to the nomadic life in my childhood with my mother as Maasai nomad travelling around with her small herd in northern Kenya with my brothers and sisters whereby it was always a treat when we met my father on his trips as storyteller.

In recent years – as bhikṣu [24] – I carry this poem still with me in a slightly altered form:

Though I always sleep
on my travels, each night
in another place,
in the dream I always dream
I am still at home.
(Ryōkan) [23]

The interpretation of “my own house” has expanded to the “All-encompassing One” or “being whole” by Martin Heidegger and “the dream” has shifted from my nocturnal dream to “everyday life” including my nightly vigils and my vision at night of my misdeeds.
After my nightly vigil, I am going to take a nap until lunch”, says Narrator.

“Of Course. Sleep well. At lunch we will wake you. We will guard the boat and hope that the fog will clear off”, says Carla.

“I think the fog will be gone around lunch. Then we can take a walk on the dry Waddenzee, to sail away mid-afternoon”, says Man.

[1] See: Origo, Jan van, Who are you – a survey into our existence – part 1. Amsterdam: Omnia – Amsterdam Publisher, 2012, p. 134 – 135
[2] See: Caplow, Florence & Moon, Susan, edt. The hidden lamp – Stories from twenty-five Centuries of Awakened Women. Boston: Wisdom Publications, 2013, p. 33
[3] See: Shibayama, Zenkei, The Gateless Barrier, Zen Comments on the Mumonkan. Boston: Shambhala, 2000, p. 293 – 298 en Yamada Kôun Roshi, Gateless Gate (Mumonkan). Tucson: The University of Arizona Press, 1990, 199 – 203
[4] In Sanskrit the name Buddha consists of the noun “bud” meaning “bud or knop” as “bud” in rosebud in the film “Citizen Kane” directed by Orson Wells – and the verb √dha meaning “place, grant, bestow”. Source: electronic version of the dictionary Monier-Williams – MWDDS V1.5 Beta
[5] The word bodhisattva consists of two words “bodhi” and “sattva” meaning “perfect knowledge, wisdom” and “being, conscience, living being” in Sanskrit. The school of Mahāyāna Buddhism knows the bodhisattva ideal. According to this ideal, a human who is on the verge of enlightenment – named bodhisattva, will refrain of entering until the complete universe and every particle is capable to enter enlightenment. In the meantime a bodhisattva will prepare everyone. See also: http://en.wikipedia.org/wiki/Bodhisattva
[6] Shakyamuni consists of “śakya” meaning “possible or being able” and “muni” meaning “seer or sage”.
[7] Source image: http://en.wikipedia.org/wiki/Meditation
[8] See: Yamada Kôun Roshi, Gateless Gate (Mumonkan). Tucson: The University of Arizona Press, 1990, p. 201 – 202
[9] An explanation of Dharma is given in: Origo, Jan van, Who are you – a survey into our existence – part 2.1. Amsterdam: Omnia – Amsterdam Publisher, 2014, p. 34 etc.
[10] See for the second part of this sentence also: Shibayama, Zenkei, The Gateless Barrier, Zen Comments on the Mumonkan. Boston: Shambhala, 2000, p. 298
[11] Source: electronic version of the dictionary Monier-Williams – MWDDS V1.5 Beta
[12] Source: electronic version of the dictionary Monier-Williams – MWDDS V1.5 Beta
[13] Source image: http://en.wikipedia.org/wiki/Samadhi
[14] In Sanskrit the word “Evam” consists of the verb √e meaning “approach, reach, enter” and the noun “va” meaning “wind, ocean, water, stream, going”. Source: electronic version of the dictionairy Monier-Williams – MWDDS V1.5 Beta
See: Lopez – The Heart Sutra explained. 1990, p. 34; The commentary Vajrapāņi has high praise for the word Evam (thus), the word with which sūtras begin. Those four letters are the source of the 84.000 doctrines taught by the Buddha and are the basis of all marvels.”
See Red Pine (Bill Porter) – The Diamond Sutra. 2001, p. 41-42; Commentaries have written volumes on the profundity of evam (thus). Does it mean ”like so”, or does it mean ”just so”? And what is the difference? Is this sutra the finger that points to the moon, or is it the moon itself?”
See: Holstein, Alexander- Pointing at the Moon. 1993, p. 49; in the enlightened mind of a Zen master, probably, there is no distinction what the ordinary mind calls “to point at” and “the moon”. To the enlightened mind, the relation between the two is similar to the relation of an ocean to its waves.
[15] See also: http://en.wikipedia.org/wiki/Skandha ; and see also for a brief introduction: Origo, Jan van, Who are you – a survey into our existence – part 1. Amsterdam: Omnia – Amsterdam Publisher, 2012, p. 172 – 174
[16] The name of this commentator is Praśāstrasena. Source: Lopez, Donald S. – The Heart Sutra explained Delhi: Sri Satguru Publications, 1990 p. 53
[17] See also: http://en.wikipedia.org/wiki/Division_by_zero
[18] The Heart Sūtra uses the word “svabhāvashūnya” in Sanskrit for “empty of inherent existence”. The word svabhāvashūnya consists of “sva” meaning “self”, “bhāva” mening “, being or to be” and shūnya” meaning “empty” referring to “being-whole” from Martin Heidegger.
[19] See also: Leben, Man, Narrator Nārāyana – One way, One biografie. Amsterdam: Omnia – Amsterdam Publisher, 2013, p. 54
[20] Source image: http://nl.wikipedia.org/wiki/Steenmannetje
[21] Source image: http://en.wikipedia.org/wiki/Glass_House
[22] See also: http://en.wikipedia.org/wiki/Superposition_principle
[23] This Tanka is freely translated from: Tooren, J. van, Tanka – het lied van Japan. Amsterdam: Meulenhoff, 1983, p. 170
[24] See also: http://en.wikipedia.org/wiki/Bhikkhu