Tag Archives: metaphor

Narrator – Amsterdam: the inverted world

In Amsterdam I entered the inverted world of Holland and this inverted world took me on. A world with many centuries of embarrassing wealth and a deep discomfort [1], but that I learned later. For me the feast started. As an exotic outsider, I was not bothered by the discomfort and my lovers let me sharing in their wealth.

From the Harbour, I walked via the Damrak [2] to the Dam.


Earlier in the 17th century the Dam and its surroundings were the place where shiploads were traded against securities that were redeemable across the North Sea and Baltic Sea area. The traders in Amsterdam did everything to retain confidence in these securities. Still the Dutch relate the value of goods and the value of trust in human relationships to money. Money is for them still a metaphor for confidence.

When I arrived on that beautiful autumn day for the first time on the Dam, the last “Sleepers on the Dam” of that year were still present. A few years ago the police and Marines had skirmishes with the “Sleepers on the Dam”. In the opinion of the former Regents these lazy idlers were not in the position to sleep at the National Monument [4]. The text on the front of the Memorial seemed to leave the Regents in their right:

“Hic ubi cor patriae monumentum cordibus intus
quod gestant cives spectet ad astra dei.”[5]

(‘Let here where the heart of the motherland is, the monument – that citizens bear within their hearts – look at the stars of God.’)

According to the Regents the solitary monument should look at the stars of God commemorating the Second World War. Intuitively the “Sleepers on the Dam” felt that the Monument is a memorial to the inner entity of the citizens to look at the stars of God. In my native region the Maasai God Engaï [6] aroused in a distant past under the night starry sky the deceased back to life. In this inverted country the “Sleepers on the Dam” temporarily won the skirmishes until the winter chased them away. In those cold days the vapour of my breath gave a home to the breath of the villager killed in the overnight fire in the forest; almost all the nights I slept under the stars when the coldness allowed.


After a few months it was freezing period; the inhabitants of this inverted world were beset by ice-fever. For the first time in my life I saw frozen water – for me a strange environment. All the other people started ice skating; for them, it was a free world with a traditional free trade [8]. Many made long skating tours through the polders, a few of them came back home wounded – in Holland very usual.


Luckily I found accommodation at the home of my lovers during this cold period.

[1] See for the richness of Holland in the 17th century: Schama, Simon, The Embarrassment of the Riches. Fontana Press, 1987

[2] The Damrak was the former outer harbour to the South Sea for small vessels. See also: http://nl.wikipedia.org/wiki/Damrak

[3] Painting by Cornelis Anthonisz. Sourrce image: http://en.wikipedia.org/wiki/Cornelis_Anthonisz.

[4] Source image: http://nl.wikipedia.org/wiki/Nationaal_Monument

[5] The Latin tekst on the front of the Memorial is written by dr. J.D. Meerwaldt

[6] According to a Maasai myth the God Engaï gives cattle to the people and he brings people to life after their death and each day he lets the Moon die. After a sin wherein an opponent was desired death, Engaï lets people die and each night he brought the Moon to life. Source:  http://nl.wikipedia.org/wiki/Masa%C3%AF_(volk)

[7] Source image:  http://en.wikipedia.org/wiki/File:National_monument_-_amsterdam_nl.jpg

[8] Until the modern era, liquor and prostitution were legally regulated for land and water. Ice was not mentioned in the legislation and therefore a free trade for liquor and prostitution was allowed on ice.

[9] Source image: http://nl.wikipedia.org/wiki/Amsterdam


Man Leben – interview 4

The previous interview was about love in your life. In this post I continue with some questions about the last surprise in your life.

“In the last part of your life you are involved in Oriental wisdom. In the description of your life you refer indirectly to a form of enlightenment. Aren’t you enlightened? “, I ask.

“Everything is enlightened. Nothing, not even the tiniest particle is excluded. Everything in all its natural forms is perfectly enlightened”, you say.

“Also all greed, all crimes, all murders, all illusions, all nonsense and vanity?”, I ask.

“Enlightenment is as natural as inhaling and exhaling whereby inhaling and exhaling are manifestations of enlightenment. We have experienced a glimpse of the complete enlightenment on our Odyssey when we have arrived on the peninsula at the end of the afternoon at the stage “Two – night at the beginning of the spring” [1] after a long day walking. The following morning at six o’clock we have seen the sunrise in the East at the beginning of spring. That afternoon we have washed ourselves in the water at the peninsula, we dried ourselves and put on clean clothes and then we have gathered wood for a small fire in an old tin. This is free rendering of the summary of the Diamond Sutra that directly reflects enlightenment [2]. The real summary is “evam” [3] – the first word of this sutra in Sanskrit – or in English “thus”. Every action, every word and every breath is completely enlightenment. The photo of the sunflowers in the header of this weblog “Who are you” is quite  appropriate. Every sunflower seed on this picture includes the entire universe perfectly and completely”, you say.

“Where do arise all crimes, all murders, all delusions, all greed, all nonsense and vanity?”, I ask.

“In stage One in the post on pantheism, we have encountered “Indra’s net” [4] as metaphor for the entire universe. Indra’s net [5] is in the Huayan school of Buddhism [6] a metaphor for everything, for enlightenment and also for illusions and delusions. If a glass pearl in the net represents an illusion or a delusion, this illusion or delusion is reflected by all other glass pearls in the net. If a glass pearl is enlightened, the enlightenment is reflected in all other pearls. Or if we translate this metaphor to our daily lives, if greed and crime are in our lives, then this affects everything and everyone; and if a person or thing is enlightened, then this enlightenment reflects on everything and everyone in the universe. Or practical, if we stick to possession, or sin against the ten commandments, then these actions affect the entire universe; and if we carefully share possession and perform appropriate action and non-action, then this is reflected in everything and everyone. Hence the Buddhist encouragement – work hard and show compassion with everything and everyone; exclude nothing and nobody”, you say.


“I can follow the reasoning. I will reconsider this metaphor. On our Odyssey we will encounter sufficient challenges. Many books on Buddhism describe the experience of enlightenment. Have you personally experienced enlightenment?”, I ask.

“You mean the experience to be included in everything and everyone in all its manifestations. I don’t know how, but if I look back then this has always been my basic attitude, also if I was blinded by love, anger or sadness. I can describe it clearer since I have read in a book that for an enlightened mind there is no difference between the finger pointing at the Moon and the Moon. In the same way there is no difference between the waves and the ocean [8]. Before, I have often mentioned as example in meditation meetings that the finger pointing to the moon may not be confused with the moon. After I have read this passage, it is suddenly clear that the manifestations “the finger”, “the Moon” and “the thoughts about these” are mutual perfectly connected. Everything and everyone are natural manifestations of this”, you say.

“For me, your description of “the fate of humans determines that we may sit between changing fires and ashes” and “the blossom growing from dust to dust” is pretty distressing and painful. Maybe the description of my life will clarify this beauty and distress. Do you try to live as a Buddha or as a Bodhisattva as described in the Avatamsaka sutra [9]“, I ask.


“I am not a Saint. I look forward to the description of your life and of Narrator and then the continuation of our Odyssey”, you say.

“May I bundle the posts about your life together with an introduction and a conclusion in a biography?”, I ask.

“If it will be published after my death”, you say.

In the following post I tell about the beginning of my life

[1] See post: “Two – Night at the beginning of spring” of 25 April 2011

[2] See: Red Pine (Bill Porter), The Diamond Sutra. New York: Counterpoint, 2001 p. 39.

[3] See: Lopez – The Heart Sutra explained. 1990 p 34; “The commentary Vajrapâņi has high praise for the word Evam (thus), the word with which sūtras begin. Those four letters are the source of the 84.000 doctrines taught by the Buddha and are the basis of all marvels.”

See Red Pine (Bill Porter) – The Diamond Sutra. 2001 p 41-42; “Commentaries have written volumes on the profundity of evam (thus). Does it mean “like so”, or does it mean “just so”? And what is the difference? Is this sutra the finger that points to the moon, or is it the moon itself?”

See: Holstein, Alexander- Pointing at the Moon. 1993 p 49; in the enlightened mind of a Zen master, probably, there is no distinction what the ordinary mind calls “to point at” and “the moon”. To the enlightened mind, the relation between the two is similar to the relation of an ocean to its waves.

[4] See post: “One – Pantheism – Indra’s net” of 8 April 2011

[5] See also: http://en.wikipedia.org/wiki/Indra’s_net

[6] See also: http://en.wikipedia.org/wiki/Huayan_school

[7] Source image: http://en.wikipedia.org/wiki/Indra’s_net

[8] Source: Holstein, Alexander. Pointing at the Moon. Rutland: Charles E. Tuttle Company, 1993, p. 49

[9] See also: http://en.wikipedia.org/wiki/Avatamsaka_Sutra

[10] Source image: http://de.wikipedia.org/wiki/Bodhi

Man Leben – interview 2

The previous post includes the first part of the interview about the description of your life. Now I continue with some questions about your move from South Limburg to Rotterdam.

“You started to live with your aunt in the vicinity of Rotterdam at the age of 12 and you went to grammar school. How was this change?”, I ask

“In South Limburg I have probably had the best years in my life. I felt fully at home, although I have been a misfit. First I could not understand the local language and customs, but after a year everything was fine and I could speak the dialect fluently. In Rotterdam everything was again completely strange. I lived in a Dutch and Christian environment with an accent from Limburg, Catholic habits and a Jewish background: all exceptional. The bad word for Catholic “paap”; this word means in the Sanskrit “wrong, bad, guilty” [1]. The first years near Rotterdam I have had difficulties to adapt myself. Luckily I was accepted at school in my class. My aunt also has had many difficulties: she had to finish a former life in a difficult environment; the possessions, the taxes and finances deserved attention. Also a new life had to be started. She was lucky that she could get a good post in a trading company due to a family relative. Later I have thought that she might have emigrated to America if I did not exist; She has never told this”, you say.


“You have said that the small capital that your grandfather has deposited in Switzerland around 1924, was very helpful”, I say.

“That I understood later on, when I was 21 years old. Before my aunt came to South Limburg, she had visited the bank in Switzerland where my grandfather has opened the account in 1924. This account remained outside the scope of others – including the authorities in Germany and the Netherlands. This is a small part of my arrogance: in that time for me very understandable. This small capital covered my study and a part of the capital for the homes of our family. Later, when our family had fallen apart, I also opened similar account from the sale of our family home for my children in future difficult times”, you say.


“In that time it was money outside the books for the Governments”, I say.

“That is true. It was a different time: by our family the authorities were not experienced as very reliable. It was wise to have some savings outside view. Later, when I put my trust on the wind and the Moon during my journey to Dachau, I began to see the vanity of capital. I saw the full meaning of the second commandment: “Thou shalt have no other gods before me”. I began to understand that money is a metaphor for confidence. I put my trust on All en One – volatile as the wind and moving as water; from then on my way is lit by the Moon. In this world money is sometimes a useful medium of exchange, but a burden on the eternal way”, you say.

The next post include several questions about love.

[1] Source: electronic version of the dictionary Monier-Williams – MWDDS V1.5 Beta.

[2] Source image: http://nl.wikipedia.org/wiki/Emigratie

[3] Source image: http://en.wikipedia.org/wiki/Banking_in_Switzerland

Introduction: Three – Object in the middle – Sacrifice

In the previous post, we have entered two meditation rooms. The first room is the Mark Rothko Chapel in Houston. The other meditation room is everywhere and always present.

Now you and I consider the sacrifice as “object in the middle”. For this we look at the last part of the movie “Offret” or “The Sacrifice” by Andrei Tarkovsky in 1986.


Before we start watching this part of the movie, we read first several introductions and reflections on this film. We start with “The sealed time” [2]: reflections on the cinema by Andrei Tarkovsky.

“The sealed time” is also a good name for the interior of the Mark Rothko Chapel”, you say.

In these reflections Andrei Tarkovsky writes: “The protagonist of the film” Offret ” is meant as a weak personality. No hero, but a thinker and an honest person who is able to sacrifice for a higher ideal. If the situation requires, he does not back and tries to leave the act of sacrifice to someone else. He faces not being understood by others and to be seen as destructive and desperate. He exceeds the permissible limit of normal behavior by which he is seen as insane, because he feels bound to the fate of all mankind. He only responds to the call of his heart. He is not master of fate, but only servant. His efforts remain unnoticed and misunderstood, but do contribute to the harmony of the world.[3]

“Do you recognize yourself in this description?” I ask.

“With shame. I often follow my own way and I have neglected other people unnecessarily”, you say.

“Who does not?” I say.

“Saints?”, you say

“We both aren’t,” I say.

In the afterword to these considerations Andrei Tarkovsky writes: “Throughout history ideologues and politicians have shown people “the only right way” that can save the world. To partake in this salvation the individual should – according to ideologues, politicians and/or society – give up all own ideas in order to channel all energy to the proposed rescue. For this progress, that has to safeguard the future of humanity, the individual sacrifices his inner life. His personality is lost in following this ideal. Because mankind thinks of the interests of all, it forgets its own personal interest as Christ preaches: “Thou shalt love thy neighbour as thyself.” This means: “Love yourself so much that you respect the divine principle in yourself, the suprapersonal that prohibits selfishness and obliges you to give yourself to others unconditionally, loyalty to yourself from the I as a personal centre of life.” [4] [5]

“This requires a major balancing act between self-interest – in which the world is reflected – and sacrifices for others – whereby each sacrifice for another is a sacrifice to yourself”, you say.

“Somewhere I read that a beggar and a benefactor show compassion for each other by an offering. The beggar gives the benefactor the opportunity to demonstrate compassion and the benefactor shows compassion with another expression of his own life”, I say.

“To give offerings in an unconditional manner, we still have a long way to go. Andrei Tarkovsky describes a first step towards a Buddhist bodhisattva [6]. The ideal of salvation and the unconditional offerings to others is present. Only the efforts and the ways to achieve one’s own perfection before the bodhisattva encourages others to prepare for enlightenment, lacks”, you say.

“Within mahâyâna [7] Buddhism enlightenment is only possible for everyone at the same time. The metaphor of Indra’s Net shows this. First one’s own glass bead has to be prepares for enlightenment. Thereafter, all other glass beads have to be able to enter enlightenment. If one glass bead is illuminated, all other pearls are also lit: no jewel within Indra’s Net is left behind, because otherwise the dust on one non-enlightened jewel reflects on all”, I say.

“Absolutely. Because the protagonist is not clear in his mind, he cannot save the world. If he does so, he remains behind with his faults and is at least one small part of the world that is not saved. Hereby the protagonist is not a bodhisattva, but a tragic hero”, you say.

“He cannot be a classic tragic hero, because he believes in a God who may grant him salvation,” I say.

“Later on our Odyssey, we will encounter enlightenment again. You and I share the same shortcomings as the protagonist in the film. I hope we are able to see a glimpse of the enlightenment. Odysseus has been tied to the mast of his ship in the vicinity of the Sirens. The ears of his crew were filled with wax to prevent noticing the seductive sounds. This reasoning is not sound, anyway”, you say.

“Let us watch the movie”, I say.

The last film of Andrei Tarkovsky – finished shortly before his death – begins with the monologue by the father – Alexander – to his son who will not speak during the entire movie due to a throat disease: “A long ago, an old monk named Pamve was in an Orthodox monastery. He has planted a dead tree. His pupil – named Ivan Kolvo – may give water to the tree every day. Every morning he climbs with a full bucket of water uphill and gives water to the dead trunk. On one day after three years, the tree blooms with full blossom [8]. Every action has its consequence. If you perform undisturbed at the same time every day the same ritual, the world will change irrevocably. [9]

“My mother once put a dead stick on the ground outside to the wall. After several months, the stick has rooted”, you say.


During the film a threat of a war develops that will destroy everything and everyone. Under this pressure, the main character – Alexander – goes to his study. He kneels on the ground and does something he never has done before. He prays: “Lord, save us in this fearful hour. Do not let my children and friends die, my wife, everyone who loves and believes in you. And those who do not believe in you because they are blind and have not given thoughts to you because they have not really been unhappy. Anyone who will lose his hopes now, his future his life and the opportunity to be guided by your word. Those who are filled with fear and feel the end is nearing. Who do not fear for themselves but for their neighbours. For those who nobody else can save but you. Because this war is the last, a terrible war. After this there will be no victors and vanquished any more. No towns and villages, trees and grass. No water in the springs or birds in the sky. I give you everything I own. I leave my family that I love. I destroy my house and take away my son. I will remain silent and talk to nobody. I renounce all that binds me to this life. If you only ensure that everything is as it was. And I am freed from that deadly, unbearable, animal fear. Lord, help me. I will do what I promised.”

The next morning, the threat is disappeared. Alexander sticks to his word and lures all the residents to the seaside before putting the house on fire. All his possessions are on fire. He sacrifices his soul for his neighbours and the world. He is retrieved by an ambulance for admission to a mental institution.


“This sacrifice is not only a sacrifice of the protagonist. It is also a sacrifice made by his family and friends. Without any direct say, they lose Alexander, their house and possessions. Can a sacrifice be a real sacrifice when innocent people involved “[12], you ask.

While the ambulance passes, the son is ready to water the dead tree with full buckets of water. The Aria “Erbarme dich“ from St. Matthew Passion begins.

“Erbarme dich,
Mein Gott,
Um meiner want Zahren
Schaue here
Herz und Auge weint vor dir

The son looks at the crown of the tree and says his only words during the film: “In the beginning is the word [14]. Why Father? “.

At the appearance of the text mentioning that the film is dedicated to the son of Andrei Tarkovsky – with hope and consolation, the crown of the tree seems to bloom.

“The son makes three sacrifices. He loses his father because his father sticks to his word and to God’s word. He makes his second sacrifice by continuously giving water to the tree and bringing this tree back to life. By the third sacrifice he remain silent throughout the film. Fully justified the son asks his father – and God – why his father must keep his word”, you say.

“For me this is a film of hope, because the last film by Andrei Tarkovsky is dedicated to his son with hope and consolation. At the end of this film, the light gives bloom to the tree of life. The life of his father – now a dry tree, because he has stopped acting – becomes a tree of life for the son by means of water. The son does not need any words for his sacrifices; his life, his actions and his knowledge precedes all words”, I say.

“A great enhancement of my impressions. Tarkovsky transcends “the sealed time” with this end of his last film”, you say.


The next post is about the Lamb of God as sacrifice.

[1] Source image: front of DVD-cover of the Swedish version of the film “Offret”.

[2] Tarkovski, Andrei, Sculpting in Time – Reflections on the Cinema. 1989

[3] Tarkovski, Andrei, De verzegelde tijd – Beschouwingen over de filmkunst. Pagina 203.

[4] Tarkovski, Andrei, De verzegelde tijd – Beschouwingen over de filmkunst. Pagina 207 – 208.

[5] For consideration: Indra’s Net as metaphor; see also: “Indra’s net” in post “Introduction: One – Pantheism – Indra’s net” of 8th April 2011

[6] The word bodhisattva consists of two words “bodhi” and “sattva” meaning “perfect knowledge, wisdom” and “being, conscience, living being” in Sanskrit. The school of mahâyâna buddhism knows the bodhisattva ideal. According to this ideal a human who is on the verge of enlightenment – named bodhisattva, will refrain of entering until the complete universe and every particle is capable to enter enlightment. In the meantime a bodhisattva will prepare everyone and everything for enlightenment.

[7] Mahâyâna means “large vehicle”. All and everyone is enclosed in this large vehicle, no particle is excluded.

[8] See also the post of 2nd of April 2011 “Introduction One – Blossom.”

[9] See also the posts of 24th en 27th March 2011 on rituels.

[10] Source image: http://www.jaapnoordzij.nl/credo/2010/09/offret-het-offer.html

[11] Source image: http://www.discordance.fr/top-5-les-meilleurs-epilogues-du-cinema-27740/1_offret

[12] Source: Fanu, Mark Le, The Cinema of Andrei Tarkovsky. London: BFI Publishing, 1987, page 125

[13] Aria from the St. Matthew Passion by the German composer Johann Sebastian Bach. Translation: “Have mercy, my God, regarding my tears, look at me, heart and eyes weep for you bitterly.”

[14] See also: Opening of the Gospel of St. John from the New Testament.

[15] Source image: http://www.elitisti.net/artikkeli/2005/02/004308/offret_1986_uhri.html

Introduction: Three – Object in the middle – part 2

At our first stage [1] we have met ancient stones in the landscape. These stones have for our ancestors a special importance as landmarks for interpretation of the knowable and the unknowable. The Catholic Church has tried to incorporate the role of these stones into the Christian faith by placing field crosses at these places.

In the previous post you and I have reported on the “object in the middle” as a metaphor for mutual trust and a symbol that the metaphor of the object surpasses and transgresses into the tangible reality that the “object in the middle” originally depicted. In this message we continue this exploration.

People visiting each other, exchange gifts in order to express and maintain mutual trust. In special circumstances, special gifts are given to commemorate and perpetuate the mutual relationship. Examples of these special circumstances are important changes in life such as birth, baptism, birthday, marriage, death of parents. Often these gifts are jewelry that – when wearing the jewels – symbolise the mutual bond and the special status of the wearer of jewels. Occasionally these jewels are buried with the owner in the grave after her or his death, so the owner may also show with the jewelry in the afterlife the confidence and status in the previous life.


In the graves of Neanderthals jewelry is never found [3]. Perhaps they did not use “objects in the middle” to demonstrate and consolidate mutual trust. Maybe they did not need interpretation in their lives, since they were fully confident? Didn’t they have known any interpretations or didn’t they make any image of these interpretations? We do not know.

Over time, people make images of “objects in the middle” in order to symbolise the original trust that the object depicts. For groups of people, these symbols become important to express the nameable and unnameable feelings within the group. The symbols receive their own dynamics in the form of flags and pictures with accompanying music and with rhythm in time. The Catholic Church shows many images of God and the saints. Group identity and national feelings are reinforced by flags and emblems.


In addition, these symbols raise distrust to outsiders. This distrust often takes shape as outright hatred: the outsiders are determined to completely extinguish the strange symbols – and everything that these represent – so all traces are erased. Many wars have begun in this way with their own dynamics: the flags, music, sound of boots and women placing flowers in the barrels of the guns do the rest. The group pressure to destroy the outsiders is so strong that outliers, who do not want to engage in violence, are threatened with expulsion or even execution.

In some cultures the unnameable and the higher is so overwhelming that it cannot be displayed. In the Islamic culture depictions of Allah are not allowed; also images of beings with a soul are not desirable. Yahweh in the Jewish faith cannot be displayed. In the Protestant churches no images of God are present. Do these ways of religion have surpassed the value of symbols and images? And have they overcome the aversion to strange symbols and images, because they have transgressed the value of symbols? Probably not, golden calves [5] are still revered and contested.

[1] See the post “One-Pantheism” in this weblog.

[2] Source image: http://www.rmo.nl/actueel/tentoonstellingen/archeologie-van-nederland/midden-nederland – Olst, Goud van de Goden.

[3] Arsuaga, Juan Luis, Het halssieraad van de Neanderthaler – Op zoek naar de eerste denkers. Amsterdam: Wereldbibiotheek: 1999

[4] Source image: http://home.scarlet.be/~hlvb/het%20land%20van%20beveren/heiligen/heiligen%20in%20Groot-Beveren.htm

[5] See previous post: “Introduction: Three – Object in the middle – part 1”

Introduction: Three – Object in the middle – part 1

On our last stage “Two”, first the sky and the earth are separated, and then everything has fallen apart into innumerable small parts. Afterwards a first order is arisen. Meaning and purpose given to this order, starts a first creative process.

People give interpretation to their environment, so they may increase their chances of survival by increasing their grip on touchable matters and circumstances. Furthermore, this interpretation takes shape in stories and myths which anchor knowledge and skills – from other times and circumstances – within the known world of people. Religion and rituals bring the unknowable and elusive within the scope of people; by performing recognisable acts we try to influence the unknown and elusive in our environment.

Within the Trito-myth and the cattle cycle you and I have seen the explanation of the originating of the world for people in Proto-Indo-European time. The cattle cycle gives a ritual as basis for trust between gods, priests, people and categories of people. In the previous post we have observed the role of “persons in the middle”- in this case priests and kings – acting as a bridge between the world of people and the world of the gods (or the complete oneness). Now you and I will have a glimpse into the “objects in the middle” that represent the gods (or the complete oneness) in the human world.

Cattle are a metaphor for mutual trust in the world of our ancestors. In our society money has taken over this role of cattle. In earlier societies, also objects – as replacement of living beings – serve their role of metaphor for mutual trust. Special shells, jewelry and precious artifacts are examples thereof.

Some items have risen above the role of metaphor for mutual trust. These objects are turned from metaphor into the physical reality itself. The banner [1] of a Roman legion is the identity (or entity) of the entire legion. If the banner is lost, the legion ceases to exist. The three legions led by Varus, have lost their banners in the Teutoburg Forest; they are never replaced [2].


Images of gods are worshiped by people as real gods. In the Old Testament, Moses has done everything to have recognised Yahweh – without image – as the only God of the Jewish people. After receiving the tables of the Ten Commandments from Yahweh (including the first two commandments: “I am Eternal your God, and thou shalt have no other gods before me”), on his return he notices that the people are worshipping a golden calf. The Jewish people are completely forgotten Yahweh and they see the golden calf as the “object in the middle” that has completely taken the place of God in the shape of mutual trust and eternal life.


Furiously Moses throws the tables of the Ten Commandments in pieces. He needs to return to the mountain again for receiving new tables of the covenant from Yahweh. These new tables including the Ten Commandments are carried with the people in the Ark of the Convenant. Later the ark is placed in the sacred space of the Temple in Jerusalem. Since that time, Yahweh is considered to be present above the ark in the void between the tips of the wings of two angels [5].


During the existence of the ark, Yahweh is deemed to exist in the void between the wings of the two angels. The Ark of the the Convenant was probably destroyed at the one of the devastation of the Temple in Jerusalem. After the destruction of the ark the image of Yahweh is gone. Is Yahweh now present everywhere?

[1] See also: Goldsworthy, Adrian, In the Name of Rome – The Men who won the Roman Empire. London: Phoenix, 2004

[2] See also: Wells, Peter S. The Battle that stopped Rome. New York: W. W. Norton & Company, 2004

[3] Source image: http://www.legionxxiv.org/signum/

[4] Source image: http://nl.wikipedia.org/wiki/Gouden_kalf_(Hebreeuwse_Bijbel)

[5] Source: Oude Testament; boeken Exodus 25:22 en Numeri 7:89

[6] Source image: http://nl.wikipedia.org/wiki/Ark_van_het_Verbond