Carla and Man are waiting for Narrator to walk by the covered Vasari Corridor along the river Arno via the Pont Vecchio to Palazzo Pitti.
“After we had yesterday briefly looked into the role of a Bodhisattva in the mind of a warrior, I had to consider what active role a Bodhisattva can fulfil as warrior in a conflict or war. Do you have an idea?”, says Carla.
“I think that a Bodhisattva will try to take care within the possibilities and circumstances. During the Second World War, several Japanese Zen masters were – as young men – conscripted as young men in the Japanese army. In their brief biographies they mention among others meditating while standing guard  during their obligatory military service. I hope that they as Zen monks have fulfilled their role with compassion during battles and skirmishes; the concise biographies leaves this – perhaps wisely – unmentioned. The metaphor of Indra’s Net has within the brilliance of glass pearls also a deep darkness.
In the brilliant glare
Of the pearls in Indra’s net
Flashes the darkness
There is Narrator”, says Man.
“This covered walkway from the Palazzo degli Uffizi via de Vasari Corridor  and the Pont Vecchio to Palazzo Pitti shows the endeavor of the Medici family during the first half of the 16th century to the outside world.
By the acquired possession and wealth, the family could walk – sheltered against weather conditions – from their new residential palace outside the city to their Palazzo degli Uffizi (or their working palace) in the city. At the beginning of the 16th century, the de Medici family had come to power again in Florence around 1512 A.C., and Giovanni de Medici had been elected as pope in 1513 A.C.. Hereafter Giovanni – as Pope Leo X – to his brother written: “God has given us the Papacy, let us now enjoy it“. . As a Pope, Leo X had been a disaster, as a renaissance Prince a success; he commissioned Michelangelo – coming from Florence – to redesign and finish the St. Peter’s Basilica in Rome and he ordered an extremely expensive carpets series for the Sistine Chapel . To finance this luxurious lifestyle, he introduced indulgences within the Catholic Church: by donations to the Catholic Church, the giver could shorten the time in purgatory for the beneficiary – for example deceased family members. As a response, on 31 October 1517 Martin Luther distributed his “Disputation of Martin Luther on the Power and Efficacy of Indulgences” in Wittemberg in Germany  that became the start of the Reformation. After his death in 1521, Pope Leo X was succeeded by Pope Adrian VI – coming from Utrecht in the Netherlands – who inherited an empty Papal Treasury and was also not welcome in Rome: he died in 1523 . In that year, Giulio de Medici was elected as Pope Clement VII; by his clumsy and undiplomatic actions he caused the spread of the Reformation in Northern Europe and the excommunication of King Henry VIII in England. His attention was focussed to art and culture; he commissioned Michelangelo in to build the Medici Chapel of the San Lorenzo Basilica in Florence – that we had visited a few days ago.
I tell these historical facts during the construction of the Vasari Corridor and the Pont Vecchio, because the building style reflects the hope of a continuous bridge for the de Medici family to the riches of the world. We know that herewith also the voidness for the de Medici family – in the form of vanity – and the decline of the Papal pontificate had started ; herewith as well the Catholic Church had fallen in a deep crisis”, says Narrator while they walk to the middle of the bridge.
“The word bankrupt  has started around that time on this bridge. When a trader could no longer meet his obligations, the counter (or “bank” in Italian) whereon he traded, was broken”, says Carla.
By the Via de Guicciardini they walk to Palazzo Pitte.
“This palace had been built in the 15th century as the residence of the merchant Luca Pitti. In 1549 the Palace had come in the possession of the de Medici family where after members of the family have lived here to the extinction of the family in 1737. The palace became a treasure house in which the different generations of the family collected many of their paintings, jewellery and luxury possessions . In addition, the family wished to show with this palace the grandeur of a nobel family to the outside world. During our tour we will see that the design and interior especially aims at impression of the visitor. Here shows the warrior his conquests to – a select part of – the outside world. Let us go inside”, says Narrator.
After the visit to the Palace, Carla, Man and the Narrator are sitting on a terrace on the Via della Sprone.
“in my eyes, Palace Pitti is a transition from the Renaissance to a different time, and for us a connection between “Facts and Logic” within the emerging reason in the Renaissance to “Intensities and Associations” in the personal development by religion, art and science, that we will visit in Amsterdam as the next stage on our Odyssey to “Who are you””, says Man.
“During our visit to the Palace, I was reminded of a passage from the Icelandic Egils saga centered on the life of the 10th-century farmer, warrior and poet Egill Skallagrímsson .
‘Thus counselled my mother,
For me should they purchase
A galley and good oars
To go forth a-roving.
So may I high-standing,
A noble barque steering,
Hold course for the haven,
Hew down many foemen.’ 
Or adapted to Palazzo Pitti:
“Encouraged by my parents,
Who won for me
Capital and power
To go out robbing.
So may I stand high,
Above the earthly turmoil
To eternal heaven,
And crush all opposition”.
For the inhabitants of Palazzo Pitti, the tool in the form of “weapons and people” as extension of the Viking Warrior – who still stood at the front of the battle order himself – was already replaced by the tool “capital and power” of the modern distant Warrior. The modern Warrior has withdrawn himself from the turmoil of battle; he stands as a solitary ruler high above daily life. This lone fighter beats the opponents at a distance with a “clean kill” ; in reality of daily life this manslaughter is always very grubby with the stench of decay. In Amsterdam, I hope being able to show more hereof. Palazzo Pitti is for me deathly and stilled in the hang to – the classic pitfall of the Warrior – lasting exceptional glory”, says Carla.
“So true. At your view of the solitary ruler, I am reminded of the Almighty God in heaven. Does the Christian Divine Trinity also have this classic pitfall of the lone fighter? I read somewhere that even Gods are engaged in a struggle for survival. In Amsterdam we will investigate during “Intensities and Associations” inter alia the personal relationship with God – and its consequences – within Christianity after the Protestant Reformation. How may a Bodhisattva get around this classic pitfall? By humility? I do not know. Shall we – tonight during the last supper on this part of the quest – look back on our short visit to Florence? We can also make some plans for the continuation of our Odyssey”, says Narrator.
“That’s all right. I suggest that this afternoon we go our separate ways”, says Man.
“That is good”, says Carla.
 For example: Wetering, Janwillem van de, De Lege Spiegel. Amsterdam: De Driehoek, p. 40; in English: The empty mirror
 Source: Norwich, John Julius, The Popes, A History, London: Chatto & Windos, 2011, p. 279.
 See also: Norwich, John Julius, The Popes, A History, London: Chatto & Windos, 2011, p. 279 – 298.
 Bankrupt is in Italian Bancarotta – derived from “banca” meaning counter, and via latin “rupta” that is a conjugation of the verb “rumpere” meaning “to break, to disrupt”.
 In the mind of the warrior a “clean kill” – with an effortless blow of two knuckles of the fist – is aesthetically preferred above clubbing with a stone. Even more aesthetically is shooting with a fine shotgun from a distance in a duel, or in our modern times with a laser gun. In our century this led to a president who personally gives orders to kill opponents by computer-controlled drones in other countries. See also: Marlantes, Karl, What it is like to go to war. London: Corvus, 2012 p. 71 – 72